Home

Reading Season

/ Tessa Pagones / 5 Comments

Fall mornings around here are my most magical time. It’s still dark when I wake up, so I have time to start my day slowly, but I know I don’t yet have snow and ice to contend with when I do go outside. I may wake up early and read, as I did this morning, until it gets light enough to see, and then I take the dogs out. After I feed the horses is my time for wandering, with or without my camera (well, fine, my phone), to see what this day brings.

Fall is the most evocative season for me, but it’s hard to say exactly what it evokes. I grew up in a city, in a family that did not have very many traditions and did very little holiday-related decorating. The place where I grew up did have four seasons, but not the kind of dramatic seasons that include mountainsides flaming with fall foliage. Get me near the smell of some bright yellow gingko leaves on damp concrete, though, and I am right back in my childhood.

It’s also November, which means that technically fall is half over. We are having our first week of temperatures around freezing at night, though, and I guess cold nights mean fall to me far more than the date. Fall is a good time to curl up with a book or ten. Every season was a reading season in my childhood, but there must have been a time we started coming inside in the evenings instead of running around in the alley playing kickball or freeze tag with the other kids on our block. Maybe it corresponded to the beginning of school, or maybe it was the end of daylight savings, or maybe it was the start of colder weather. At this time and place in my life, fall means fewer outside chores to do and less light in the evening, and those two things together mean more time for books.

I’m reading Fahrenheit 451 right now, I think for the first time. I read a lot of Bradbury for pleasure in junior high and high school, but I don’t think I would have found this one pleasurable then. I also think I somehow missed having Bradbury as assigned reading in any class, which would have been a good way to get me to dislike him. I know my oldest sister had his story All Summer in a Day in one of her junior high English books, but reading her assigned reading was a very different thing from reading my own assigned reading. The way Bradbury puts words together, and the pictures he paints with them – that’s the same whether it’s Dandelion Wine (forever my favorite book of his), The Martian Chronicles, or Fahrenheit. For me, reading Bradbury is a journey. I open to a page and I am right there next to his characters, seeing and smelling and tasting and feeling what they see and smell and taste and feel. Early this morning, Montag and I were running from the Hound,  carried away by the river and fetching up on land somewhere out in the country, and I’ve been needing a nap ever since.

I’m not sure Dandelion Wine is technically a book for kids – it’s probably in that nebulous category of “young adult” fiction that I love: books that could just be classified as fiction but they are attractive to – but not specifically written for – teenage and advanced preteen readers. Like many of the kids’ books I love, there’s something of a seasonal arc to it – starting with the end of one school year, and ending with the first signs of fall at the end of summer. Gone Away Lake, Summer Pony, And Then There Were Five – I’m sure there are many others. There’s a natural freedom to adventure during those summer months. Children in books often get sent somewhere else so they aren’t too looked after – my mother used to say that children’s authors have to kill off the mothers long before the book starts or the kids would never get to have all the adventures. Sending them to live with an aunt or a grandfather is a slightly gentler approach.

Books like the Little House series often cover a whole year, with some of them – like Little House in the Big Woods, and Farmer Boy – celebrating the markers and rituals of each season. Maybe that’s what fall evokes for me – the rituals I lived through the written word. All the elements of butchering the pig in the Big Woods, the days getting shorter, the nights colder. The county fair in Farmer Boy, harvesting the crops, making apple cider.

I have surprising gaps in my memory of my actual childhood, but I think I remember every book I ever read. Some of them seem like I may have made them up, despite my vivid memory of the illustrations and even the format of the words on the page. I have been looking for years for something I remember as The Bunny Nutshell Library, a collection of tiny books in a box. The one I remember most clearly was about the first robin of spring, a young robin who gets so excited about being the first that he pushes the season and catches a cold. The doctor (a squirrel, maybe? or a badger?) comes to see him and says that his heart is going “boom pitty boom pitty boom boom boom” (written, incidentally, as a poem, and, I believe, in italics). I have a feeling, though I sincerely hope I’m wrong, that he prescribes chicken soup for the robin’s convalescence.

I hope I’m confusing that with Maurice Sendak’s Chicken Soup with Rice. The kind of thing I DO remember clearly from my own childhood is being very disappointed that the taste of chicken soup with rice was nothing like as magical as that book led me to expect. I remember my mother leaving me a lunch thermos on the dining room table (when even elementary school kids could walk home for lunch to an empty house, which now makes me feel like someone out of the Little House books – the previously undiscovered Little Townhouse in Washington DC) and it might contain chicken soup with rice, or it might contain a hot dog – you just never knew. In my memory, on the chicken soup with rice day, she left a note with the opening of the book (“In January/ it’s so nice/ while slipping/ on the sliding ice/ to sip hot chicken/ soup with rice”). I was in first grade at the time – my mother had just started work again after a 12 year hiatus for mothering young children – so I don’t at all trust my memory of the note, but knowing my mother, it’s likely I’m right.

One of the many things I don’t remember about my childhood is when I learned to read. I don’t remember not reading, and I don’t remember being read to. When my own kids were young, I discovered the joy of reading to them and hoped they would never outgrow wanting me to. Even books that drove me insane, like the Rosie and Tessa books my mother dredged up from somewhere because of the names. Tessa Snaps Snakes, and Rosie Sips Spiders. For me they were mainly a tutorial in the difference between American and British English, and possibly American and British ideas about what makes a good book. Our youngest, however, liked to hear them over and over – and over and over again. I was never so tempted to lose books, or to accidentally leave them out in the driving rain. It wasn’t the repetition – I never tired of Dr Seuss’ Sneetches and Other Stories. In fact, if my youngest child who is now 31 and lives more than halfway across the country were to call me right now and ask me to read that book to her, I would happily begin “Now the Star Bellied Sneetches had bellies with stars. But the Plain Bellied Sneetches had none upon thars” while I was still walking upstairs to get the book. I can’t ask my mother how she felt about Bread and Jam for Francis, a book I loved (and that my youngest loved equally) and that she must have read to me ad nauseum. I gather it made my sisters gnash their teeth the same way Rosie and Tessa made me gnash mine.

As much as I enjoyed sharing books I loved as a child with my own children, I even more loved discovering new books with them, though it did not always go smoothly. Rose and I took turns reading to the younger two at bedtime in their shared room (one of the few things that made sharing a room briefly tolerable). It was Rose’s turn to read when we were nearing the end of Sharon Creech’s wonderful Walk Two Moons, but she couldn’t keep reading because she was crying too hard. I sighed and said “Give me the book” and read for maybe two more pages before I, too, was unable to keep going. Our youngest, who was by then 8, took the book from me and finished reading it to all of us while Rose and I sat and wept.

These days as I walk in the fall mornings and look at whatever catches the light or my eye – different every day – I think about how to tackle my writing assignment for my latest class, or I try to remember all the lyrics to The Fox Went Out on a Chilly Night while dodging fox poop on the frosty grass, or I think about how complex fall is. All seasons mark the beginning of one thing and the end of another, but fall is endier than most, even though it is my favorite. The gloom that descends in the fall has been a topic in our family for many years, and for many reasons. In Ruby Holler, another splendid Sharon Creech book we first read with the kids, the characters have recipes like accept-my-apology pie and anti-cranky crumpets and nightmare-cure ice cream and waffles for breakfast. We have long talked about creating a getting-over-sad-September soup, or a forgetting-past-falls stew.

This particular fall it’s just me here, and my now-November recipe isn’t food based. It’s walking, and looking, and taking pictures, and remembering, and also reading books both old and new. And sometimes listening to my own heart going boom pitty boom pitty boom boom boom.

Fall Cleaning

/ Tessa Pagones / 2 Comments

It’s that time of year where all the bugs are at their most visibly industrious. Spiders weave vast and complicated webs every night outside, and fill the undusted corners of the house (so, all the corners) with messy spun-sugar looking masses. Hummingbirds fattening up for migration vie for the feeders with European hornets as large as they are. Crickets, some kind of little black beetle, ladybugs, and ALL the stink bugs suddenly want to come in to the house. I want to open all the windows to the glorious fall weather, but that means I am also opening them to the bugs to find all the gaps in the screens and the windowframes. I don’t love sharing my house with bugs, but most of all I don’t love sharing my bed with them – or my clothes. Stink bugs seem to be the only bugs who think that’s a good idea and as usual at this time of year I am puzzled as to why.

The bugs, if they are paying attention to me, may be equally puzzled by the purpose of my version of autumnal industry. I’m having an organizing spree, so far split between the basement (where I work, and therefore where the dogs and I spend most of our days), and two outbuildings which have both partially housed horse equipment, garden tools, and hay, and which I am converting to one single-purpose tack barn and one single-purpose hay barn. I guess that makes three outbuildings, as I am also moving the gardening tools and anything else that doesn’t belong in any of these three catagories to the horse barn, which has not housed horses since we put in the run-in sheds a dozen or more years ago.

Though I am making dump runs in all of this – it’s amazing how often we seem to decide we aren’t going to use something any more and instead of getting rid of it we put it on a shelf – but I’m trying to moderate my default organizing method which I call “throw it all away.” This means that, to the inconvenience of the spiders and stink bugs and crickets, and to the bemusement of the dogs, I am taking things off shelves, cleaning the shelves, moving the shelves to another place, and then putting things back on the shelves. Not always the same shelves, or the same things, as I move items from one space to another, but I imagine the finer points are lost on the bugs. As far as the dogs are concerned, the main benefit to this is that I may occasionally unearth a lacrosse ball or other forgotten toy.

I’m also trying to moderate getting lost in the minutiae of what I’m organizing. I’m throwing away obvious trash, but not otherwise going through things in a lot of detail, because if I start that I know I’ll just wind up sitting on the floor looking at old photographs and notes from when the kids were little, and the basement will continue to look like the aftermath of a fairly gentle earthquake. And I will not – NOT – start cleaning tack in the tack barn. Yet.

Occasionally I find something that is useful and that I know we will no longer use, and then I put it up for sale online. Sometimes (as with a meat grinder I just sold), this involves digging for parts in multiple cabinets, and also looking for owner’s manuals. Last night I was looking for a manual before listing another item. We have a very orderly drawer with file folders for each appliance, up to a point. We also have a cabinet in the kitchen with a pile of stuff in it, and sometimes this is where the manuals for kitchen appliances end up. In my search last night, I did not find the manual I was looking for, though when I put the appliance in question back in its cabinet after photographing it for the add, I saw that the manual was there already. What I did find was the manual for my old LG flip phone, which I used from roughly 2005-2011, a book on deck-building, a recipe for Amish cinnamon bread from my youngest child’s elementary school (she just turned 31), three versions of the recipe for my mother’s truffles (one in my writing and two in hers), a recipe also in my mother’s writing for Truly Awful Cake (I’ve been making this cake for over thirty years and only just discovered it’s supposed to be made in a bundt tin), and what will have to be the lead recipe for my food blog, Mystery Recipes. This recipe reads in its entirety:

2 c. flour
2 c. sugar
3/4 c. cocoa
1 t b powder
1/2 t salt
1 c water
3/4 c oil
1 t vanilla
2 T coffee
350
dry
add wet
15 min (or less)

There’s no title, and no reference to a pan or a shape or a number. It can’t be brownies, because that’s way too much flour, and it can’t be cake, because of the baking time. It doesn’t say anything about forming cookies, though that’s my current best guess. I figure for my food blog I can just post the recipes as I wrote them, and then see how many different food products can be made from the ingredients and method (such as it is). Prizes for the most edible result.

Prior to this mystery recipe I had thought my version of the truffle recipe, jotted down in a conversation with my mother 20 or 30 years ago, was my most cryptic. This one at least says “truffles” at the top, and if the method is abbreviated (and it is – it consists of the following two lines:
“choc, butter – double boiler
add etc – wisk – cool – toss”)
at least I have made them enough that *I* know what I am talking about (even if I apparently don’t know how to spell “whisk”). More puzzling to me is how I wound up with two versions of the recipe in my mother’s handwriting. One of them is probably the original. It is covered with chocolate – one’s hands get very chocolatey while shaping the truffles and coating them in cocoa, and it has notes in three different pens. “Florence’s truffles” is squinched in at the tops as an afterthought in a green felt tip ink. We all think of these as my mother’s truffles, but the recipe came from a friend from her job at the Renwick. The recipe is, in the main, written in blue ball point, and abbreviated (though not as abbreviated as my version). Clarifying notes (“about a teaspoon” next to “rum brandy or vanilla,” and “with cocoa in bag” next to “toss”) are in black felt tip. I can see the exact pens in my mind – my father was forever bring home bags of pens from which finding one that worked was like a much less deadly but more annoying form of Russian roulette – and I recognize each of these inks and the pens they came from. The other one is written on a post card of Bolinas Bay, which doesn’t really give me any clues about the time frame. This one contains the instruction “leave in icebox overnight” and now I’m trying to remember when the last time was that I heard someone call a fridge an icebox, and if it was something my parents stopped saying at some point. For some reason it makes me a little sad to think they did.

The strangest thing about my mother’s two Florence’s Truffles recipes and her Truly Awful Cake recipe is that I have no idea how they got into my cabinet of random papers. I’m quite sure she didn’t give them to me, so they must have been something I chose to keep from her things after she died. Or possibly even after my father died seven years after her: maybe they were in her desk, for some odd reason, or maybe they were still in the kitchen. I have no recollection of finding them or choosing them. Indeed, as far as I can recall, last night was the first time I saw any of them.

I have never had a dream about my mother since she died, and aside from sensing her strongly when I have gone to Wolf Trap, I don’t feel her presence very often. Still, she shows up in ways that are very her. One of the few things I do remember keeping from her things is a t-shirt from the National Zoo for their Boo in the Zoo Halloween event. Eight years after she died, I grabbed it one night to wear as a night shirt, and found after turning off the light that it glows in the dark. These recipes of hers seem like another of her little surprises. It’s not quite truffle season yet – they are a thing we make at Christmas time, though they are not at all Christmasy. Just a tradition, of which we had precious few as a family. I like having her company while I continue my organizing. And I appreciate the reminder that some things I will never get rid of.

Quiet

/ Tessa Pagones / 8 Comments

I woke up this morning to the sound of gunshots, or possibly firecrackers – I’m not much of a weapons expert. My limited experience using guns is target shooting with a .22 rifle at camp, using air rifles at the arcade, and once shooting a shotgun towards a sick fox that was hanging around the barn where I worked and I believe he died of surprise. There was a lot wrong with him, I could see when I went to dispose of the body, but I couldn’t swear that shot pellets were on the list. While I took the dogs out this morning before breakfast, the rapid fire that woke me up changed to what I think of as my neighbor’s cannon, though it’s probably a standard hunting gun and it’s probably some kind of hunting season here now that fall has arrived. I heard a weird gronking noise and thought “Goose? No. Maybe something injured?” and then looked down towards the misty reservoir in time to see a disgruntled great blue heron flying off to look for a quieter spot for his morning fishing.

Life in the country is only quiet compared to life in the city. There’s a lot less human-made noise here, but between a large year round population of Canada geese on the reservoir next door and the rotating seasonal chorus of mockingbirds and crows, crickets and cicadas, peepers and tree frogs, migrating swans, barking foxes – well, it’s rarely what I would call quiet. It’s the human sounds that tend to irk me the most, although I admit to days I want to yell back at the geese. I count my neighbor’s dog, who I also want to yell back at, among the human sounds. We don’t live in sight of any roads, but we can hear when someone is driving too fast on our road, and if there’s a loud vehicle on one of the bigger, farther away roads, we can hear it. We can also hear a steady background hum of traffic on the bigger roads during what passes for rush hour here.

There’s something notable about the kind of quiet that happens when one of the regular human sounds lessens or stops. Last year during the height of the covid restrictions, the absence of traffic sounds was noticeable, and it was something of a novelty to be able to walk down the driveway and across the road to get our mail without ever seeing a car. We moved here in 2001, and I didn’t realize how quickly we had acclimated to the planes flying in and out of the local airport until they stopped completely that September. That local airport is now regional, and there are a few more planes than there used to be, but I mostly only notice them when they are particularly loud, either because they are flying lower than usual or more directly over our property than usual; particularly unusual, as happens each October when there’s an airshow that I forget about every year until a B17 bomber flies over my house; or when they go suddenly quiet in mid-air, which I hope only happens during lessons when someone is learning to come out of a stall.

Having grown up in the city, I hardly notice sirens unless they are close or many, but certain sirens make our dogs start up their chorus, with Scout holding the steady melody in either a tenor or soprano range, depending on his mood, Boo chiming in with the baritone harmony, and Quinn doing some kind of coloratura soprano jazz scat that only he understands. The dogs respond similarly to certain trains, though not all trains. I usually don’t hear the trains unless I have the windows open – the nearest track is over a mile away – but there are some evening trains that do not inspire the dogs, and a 5:15 a.m. train that always does (though it does not always go through on time, so I can’t use that particular song as an alarm clock).

It’s an unusual kind of quiet inside the house these days because Rose is in Colorado, visiting our oldest and youngest children and getting some much needed Colorado time, and probably also some much needed away time. When we first moved here, we were both working jobs in actual offices away from the house. A few years later, we both started working from home, but in jobs or consulting positions that had us traveling a week at a time multiple times a year. My last work trip was a two week stint in the second half of February 2020, and since then of course we have both been home. Rose went out to visit the kids (and Colorado) last summer also, but aside from a few days where I did the same this past May, and a couple of short trips Rose has taken with one of her sisters, we’ve both just been here. All the time. Right now it’s just me, and this weekend I’ve noticed how much more quiet the quiet gets when you know the person that’s gone can’t even try to communicate with you because Rose is camping in the cell-signal-free mountains. It’s odd, because it’s not as if we talk every day when we are not in the same place, but we probably do communicate daily in some way – text, facebook comments, instagram messages – or maybe it’s just knowing that we can. This quiet is different.

I’ve been thinking quite a bit about my father, and my brother-in-law, and my friend Elaine’s husband Mark, each in their resoundingly quiet homes after their spouse died. One of the very few conversations I can remember having with my father in my lifetime that had any emotional content was when he told me that he still talked to my mother – out loud – after she died, and that he felt it was just as real a conversation as when she had been physically present. Of course, having known both of my parents, I can take that cynically or I can take it with empathy. In this case, I choose empathy. The quiet that falls after someone who has been sharing your life and home for decades is suddenly gone forever must be deafening.

None of my beloved people who have died were living in the same house as me when they died, so their absence for me is a different kind of silence – the kind when there’s no longer anyone there to answer the phone. My animals, though – I’m sure that’s one of the reasons their deaths hit as hard as they do. They are a daily presence, and they leave a gaping hole. And I do talk to them, though not necessarily out loud. I especially still talk to the horses. We have buried five horses here, and I find reason to talk to each of them sometimes as I make my daily rounds. As with my living horses, I’m learning to be quieter in my conversations. The living horses let me know when I’m making improvements. The are reminding me now that when I don’t have anyone who responds with speech when I talk to them (except Quinn, but only when it involves putting his dinner bowl down, or going out to play), I’m quieter in general, and they prefer that. I’m sure Rose will be grateful if I can keep it up when she returns; quiet is not an adjective anyone would use to describe me. I haven’t even been listening to music, so I’m in a fairly constant state of listening to nothing but the sounds of what – and who – is here right now, and the quiet of what – and who – is not.

Berry Season

/ Tessa Pagones / 2 Comments

The blueberries are ripening already, which seems early to me – they started before it was even officially summer. Fruit in the garden is still something of a mystery to me even after twenty years of blueberries, a period of strawberries, and a yearly wild crop of wineberries.

Planting the vegetable garden was an annual event in my childhood. Compared to my current several acres of land, our yard in the city was a postage stamp, but when my father had the back porch stairs redone as a spiral staircase that didn’t extend as far into the yard as the previous straight stairway, it was like we had a whole farm back there. We would drive out to Serio’s, a garden center way out in the country past Rockville (in Olney, which now more or less a suburb of DC), and my parents would buy seeds and plants and Miracle Gro. When my oldest sister was in junior high, so I was six or seven, she went with her dance class to Syracuse and I spent some time puzzling over where they would be dancing and, more to the point since they were going for several days, where they could sleep at the garden center.

My clearest memory of the garden planting is of my mother mixing up the magic blue liquid to sprinkle on the tomato plants. At one point my parents planted strawberries, but I don’t remember them lasting for long. When the house next door changed hands, the new neighbors replaced the chain link fence with a taller wooden privacy fence and perhaps it shaded the strawberry patch too much – my vague memory is they were planted right up against the fence. I doubt I was sorry to see them go, as I was not much of a berry eater as a child. Berries had seeds, which went against my fondness for single-textured foods. Blueberries also fell in the same category as cherry tomatoes: there was always the possibility that a fine looking exterior housed a fruit that had gone bad from the inside and was just waiting to detonate when you bit into it.

Blackberries were my first berry love. I still associate them with late July and early August, the North Carolina mountains, and camp overnights. The camp I went to from the summer after sixth grade through almost all of high school was my favorite place. The blackberries were not a huge part of my time there, but we sometimes went out on overnights, my favorites being when we rode the horses out to the big pastures up the hill, turned the horses out, and slept under the stars. I have no memory of tents, and I do have memories of being woken up by being rained on, so I think all we took was sleeping bags, flashlights, and food. Food for any kind of camp trip was the most basic kid sustenance: white bread, peanut butter and jelly, bologna and American cheese and yellow mustard, KoolAid. For overnights we also took Bisquick, and we managed something I believe we called doughboys: a moldable preparation of the Bisquick surrounding blackberries we had just picked from the wooded edges of the pastures, all wrapped around a stick and cooked over the fire like a s’more. Like s’mores, there was always a chance your doughboy would fall into the flames, but it was worth the effort, even with the potential for charred bits and the need to pick stick splinters out of your breakfast. We have a few blackberry plants here now. They don’t bear much fruit these days, and the few berries that are getting started now won’t be ready for some time, but a single glorious berry can still send me right back to those summer mornings.

One of our first garden beds when we moved here had blueberries on two sides, asparagus in the middle, and strawberries in the front and crawling under everything else. I was particularly astonished by the strawberries each time they bore fruit, as I still think of strawberries as a thing you can only buy at the grocery store. Even farmers market strawberries don’t seem like the kind of thing just anybody should be able to grow at home, but grow them we did. That bed has always gotten a little wild, and over the years, the asparagus and strawberries died out. We have mock strawberries in that bed and pretty much everywhere else on our property. They look pretty but I’ve never tried to taste one. I find it suspicious that I never see any of our plentiful wildlife eating the mock strawberries, though they were certainly fond enough of taking bites out of our cultivated strawberries. If I ever see any true wild strawberries I will be delighted to try them, but I think I’ll stick to admiring the mocks with my eyes.

For the first twenty years we lived here I called the berries out back wild raspberries, and I suppose technically they are, but I learned last year that they are known as wineberries. They are even prettier than the mock strawberries, and I know for sure they are not only edible but delicious. Like any kind of raspberry they are delicate. When I pick them I always want a large flat pan so I won’t squash any, but I always take a standard bowl or bag instead. I don’t serve them in any way where their form matters, but they are so lovely I just want to treat them gently.

The blueberries, though. Our original blueberries have continued to grow, and we have added more bushes as other things have died out and made room in that bed.

My first experience enjoying blueberries – outside of reading Blueberries for Sal – was at my great-half-uncle’s house in New Hampshire. Going to visit Uncle Richard with our maternal grandmother (my grandfather was Richard’s half brother) was a bit of a rite of passage for me and my sisters in our high school years. Each of us in turn made the trip, flying to Boston and then taking the bus to Meredith or Concord where Uncle Richard would pick us up. Time in New Hampshire mostly consisted of reading, swimming, and hiking to the lake. Blueberry picking was always on the agenda: wild high bush blueberries, small and the perfect mix of sweet and tart. Uncle Richard taught me to make blueberry pie, which I love but have hardly ever made outside of his house. Grocery store berries were just never the same, and with our own berries I have made blueberry cakes, blueberry muffins, blueberry scones, blueberry smoothies, but not very often blueberry pie. I can’t say never, but I used fancier recipes than Uncle Richard’s oleo crust and just plain blueberries dusted with flour and sugar.

Richard was a relative I met in my mid-teens and saw for the last time when I was in my mid-twenties, though he lived a lot of years beyond that. My connection with him was mainly through my grandmother, who died when I was twenty, and then my aunt, who died five years before Richard. He was born in 1923, he was in the army in the 1940s, and he taught high school for forty years. We all long suspected he was gay, but it wasn’t till he was eighty that he had his first out relationship with a man, who remained his partner for the last seventeen years of his life.

Berry season is also Pride season. I’m not a big Pride celebrator myself, but it is a time of year when I think about how much things have changed in my lifetime – even in the nearly thirty years of my relationship with Rose – and I think about how unfathomable being out and partnered and content was for someone like Richard for most of his life, and how glad I am that he still got to have all of that in his lifetime. The years I saw him actively were the years of my own coming out – in fact, it was to his house in New Hampshire that I retreated when I thought I was losing my mind, before I realized that actually, I was just gay. We didn’t talk about it any more than we talked about his orientation or relationships, but somehow I knew where to go to feel ok for a little while. I’m making blueberry tarts today, not blueberry pie, and I’m sure Richard would understand why I am toasting him today with blueberries, love, and gratitude.

Home

/ Tessa Pagones / 4 Comments

I’m back from my first trip in a year and a half. It was nice enough to be out and about again that even the plane rides seemed nice. My fellow travelers may have felt the same since everyone was pleasant, which is not the first word I would have used for people in airports and planes the last time I flew.

I started to say that I’m home from my trip, but I was home where I was, too. Partly because I was staying in my own house, but also because I got to see two of my kids, and because I got to see good friends, and because I was in a place that has always felt like home to me, even the first time I went.

My family was not big on refrigerator magnets, but a few funny ones given as gifts accumulated over the years, mostly about wine, cats, or grammar. I think that one of them was the Robert Frost quote “Home is the place where, when you have to go there, they have to take you in,” which may have been something my sister gave my parents, but my whole memory of this may be off. Regardless, it’s how I would describe my parents’ home after I left to go to college. I moved back there for a few weeks after I left school and before I found a job with housing, but aside from a couple of holidays during college (after my first year I lived in apartments, not dorm rooms, so I didn’t have to move out during winter and summer breaks), and staying there sometimes when my father was sick and then dying, I didn’t go back to stay. I lived close enough to visit for a meal, but far enough to make that inconvenient to do often.

I would also, as I just did, describe it as “my parents’ home.” Partly because where they lived by the time I moved back to the general area where I grew up was not a place I ever lived with them, and partly because, well, it wasn’t my home. At that time in my life, in my early twenties, I lived in a house on the farm where I worked, and had parents and a sister who lived in houses in the city where I grew up less than two hours away, but I didn’t have a heart home. My high school friends were mostly no longer living in the area. I had just left college, and my friends there. I pretty well ran away from that place and those people in an effort to get away from the inside of my head, which inconveniently came along with me. An excellent idea for me then would have been therapy, but that wasn’t even on my radar. A few years later I would find it was much less difficult to tell my mother that I had a girlfriend than to tell her I had a therapist.

Where I live now is very much home. Though it is a place that was once also home for my kids, I know they all have their own places they call home now, and this house is that awkward combination of “mom’s house” and “that place where I lived through everything I had to live through as a teenager” and whatever else our dwellings from the past come to mean to us. It’s hard to go back to a place where the very smells and sounds seem to suck you back into playing a role that never really fit and that you don’t have to play in your adult life. I love it when my kids visit, but I think even more I love to go see them in their current lives where they are their current selves.

It’s thirty years later than when I had a homeless heart, and now I have a heart home made up of a lot of parts. Rose, our kids. Dogs, horses, cats. Places that I love. Myself. That’s probably the biggest change from my early twenties: whevever I go, there I am has a whole different meaning now. If I don’t carry my home on my back, I carry it in my heart, and I can make the shelter I need out of the tools I have available wherever I am.

Time Lapse

/ Tessa Pagones / 6 Comments

A couple of days ago I set up my wildlife camera next to the bird feeders to record who all showed up over the course of a day. I’ve only been paying attention to birds in any kind of focused way for the past two years, and I would not call myself an avid birder. My interest in them started when I decided I wanted to take a bird photograph every day for a 100 days of fill-in-the-creative-endeavor project, and while I still enjoy trying to get decent photos of them, I’m not that committed to that either. I follow a local online birding group and I see a lot of amazing photos there, and a lot of people excitedly adding to their life lists (the poor painted bunting who showed up in the DC suburbs seemed to have more photographers than all the current and former British royal family combined). I admire the enthusiasm but I don’t fully understand it. I do get pretty excited when I see a bird I’ve never seen and can actually identify, but maybe next year I’ll forget and get just as excited again.

I had the bird feeder camera set up for about ten hours to try to catch multiple feeding cycles. Most of the 1,354 photos are just that – repeat cycles of the same visitors, including a cardinal couple, a red bellied woodpecker couple, a blue jay, a mockingbird (it could be more than one – they come one at a time and I can’t tell them apart), a bluebird or two, a few brown headed cowbirds, a vast parade of house finches (with an occasional purple finch to remind me I am terrible at finch identification), goldfinches, little chipping sparrows, and one very fat and sassy squirrel. The photos I like best are the ones that make me laugh: the squirrel moving from one feeder to another, several bird blurs coming and going at once, a goldfinch in the middle of a 180 as he realized he didn’t want to mess with the mockingbird and he could come back later.

It turns out to be watching the regular birds doing regular bird things that interests me most. An eastern kingbird in his little tuxedo perched on the fence looking so refined, and then full-on assaulting a robin, appearing to say “I said GOOD DAY, sir!” to the back end of the departing robin. The way the female cardinal always shows up first, whether at the feeder or a tree, and then is joined by her mate – in contrast to the red bellied woodpeckers, who take entirely separate turns at the feeders, and always the male first. Many of the birds I’m seeing now I saw all winter. I’ve been watching the male goldfinches shift from a dull sort of olive color in winter to their bright yellow breeding plumage. The chickadees who buzz impatiently at me from the nearby sugar maple while I fill the feeders may well be the same ones who have been buzzing at me all winter, though their red breasted nuthatch and pine warbler associates who were bold enough to perch right on the stands while I added seed seem to have moved on.

The green herons have made their first spring appearance. They are following their usual pattern: first I see one flying north from the reservoir next door, perhaps to one of the other nearby ponds. Then I start seeing them flying over our property to or from the water – that’s the phase we are in now. Soon those flights will include carrying sticks to build their highly hypothetical looking nests, which I believe are constructed of eleven twigs and some wishful thinking, but they always do the trick. Last year when they built a nest in the weeping cherry right outside our bedroom window and I found one of the eggs after it hatched, I was amazed how small it was, and that it didn’t just slip right through the twigs. Green heron baby watch may be my favorite season, and it’s coming soon.

The barn swallows returned in April, as they always do. The consistency of birds is another thing I love, and barn swallows seem to be among the most punctual. We have had barn swallow mud nests in all of our run-in sheds for years, but I haven’t seen any evidence they are inhabited. I don’t know if swallows reuse nests; they may just be out and about doing their swallow activities all day. Far and away my favorite thing about mowing is having the swallows fly low and fast around me, eating the bugs that are scared up by the tractor. It’s a little wet to mow right now, but I had to mow the dog yard so as to not lose the actual dogs in the tall grass, and I had swallow companions the whole time. They were one of the first birds I paid attention to, in my early twenties when I didn’t have attention for much but the fact that I seemed to be losing my mind. Luckily I was working on a 95 acre farm at the time and there was a lot of mowing to do. I sat on the tractor for hours, sifting through depression and trauma and confusion and grief, all of which lightened with the swoop and swish of the barn swallows. For me, barn swallows are the dolphins of the air. They always make me smile, with their tiny rust colored breasts and bright eyes and sparkling wings filling my heart and reminding me to look up.

In the two years since I started my current bird journey I have also had bouts of depression and trauma and confusion and grief and feeling like I’m losing my mind. Most of it has been less extreme than in my early twenties – life in general was just more extreme when I was in my early twenties. But some things have gotten bigger, or harder, and the grief keeps adding up.

As with my early barn swallows, all the birds I watch now help me through that grief, and all the other worries large and small. We have raptors here as well as song birds, so I get frequent reminders from the birds (or the remains of the birds) that nature can be brutal, but I also get the beauty. I get the ebb and flow of bird migrations, the transient joy of the exotic visitors passing through, the birds who stay, the birds who return again and again, the birds who build their improbable nests and raise their babies against slim odds to start the cycle all over again.

Pasture Walk

/ Tessa Pagones / 2 Comments

I have, once again, been in a mood for the past two weeks. I thought about taking up the negativity challenge my cousin sent me a few years back when there were too many gratitude and positivity chain posts sweeping Facebook. The gist of the negativity challenge is that you name ten things that get on your nerves, the pettier the better. It is quite fun and even a little cathartic, but the problem right now is that the things that are getting on my nerves aren’t petty. The other problem is that when so many people are getting on my nerves with big things, it’s probably a pretty good sign that I have some work to do in those areas myself, and I don’t feeeeeeeeel like it. So there.

I had two different writing exercises assigned in this same two week time frame. One was a praise poem, and I got one of the projected five stanzas done because the only thing I felt like praising was coffee. I tried to move from coffee to other things in the kitchen that I wanted to praise, but I stalled out at:

“I give thanks for the dogs that lie under my feet
Tripping me as I gather ingredients.”

Looking back, even the coffee stanza is a little disgruntled.

The other exercise worked a little better, since it did not require me to be actively grateful, but just to think about something I do regularly that I take pleasure in. Here it is, in hopes that anyone else who has been having the same kind of April I’ve been having may feel better for a little walk through the pasture:

This is a walk I do every day, but not a walk from any particular day. It’s a walk that I do in all seasons, but for today I will walk in the fall, with its background music of geese muttering on the pond next door, the leaves on the trees changed or fallen, the still-green grass eaten down to a haze interspersed with patches of bare dirt.

I’m walking through a field, on my way from one pair of horses to the other, a fence on my left, a small hill on my right, a bucket of grain in one hand. The field, like all the fields around it, is a minefield of primarily horse manure, but also that of fox, goose, skunk, and any other creature who takes this path when I’m not on it. A lot of my looking is down.

My downcast eyes start to steer me around a pile of horse manure, but then I stop, and stoop. This pile is covered with something that from above it looks like a convention of tiny parasols. Each one is open and translucently striped, and I pull my cell phone out of my pocket to take pictures, which is the main reason I have a cell phone. I stare at it in paralyzed horror on the rare occasions it rings, but it is silent now as I crouch down to photograph the last signs of the fairy party.

The sun is up but not high enough to clear the trees in front of me, so the rays pierce the scantily clad limbs only to get caught and fractured by the chilly morning fog. The parallel lines of the fence boards are periodically connected by spider webs, which with all due respect to Charlotte have much more beauty in their rainbow sparkling dew concentricity than any words. I stop again, angling so that the web is clearly visible against the backdrop of the ground, and the light reflects off the dew droplets but does not shine directly into the lens. I’m interrupted by an indignant whuffing and the sound of fifteen hundred equine pounds landing from an impatient but balletic leap. I pause by the big bay body after I tip his breakfast into his bowl, trying to catch his whorls of hair in the dawn light but he steps his hind feet away, muzzle still firmly planted in his food. I settle for the silhouette of his withers, back, and croup against the fog: sunrise over Mount Finn.

On these morning walks, I feel compelled to try to record these sights as I see them. If I succeed, they will look not like what they are, but like what they feel like to me, a city child transplanted into these country fields more than half my life ago, starting my days on my knees in the wet grass amid nameless scat, trying to capture the view from behind my eyes.

Late Bloomer

/ Tessa Pagones / 10 Comments

It’s spring, it’s sunny, it’s warm, and in the words of Stuart Smalley, I’m shoulding all over myself. This is the time of year I’ve been waiting for, right? The weather I’ve been waiting for, the time to shed off the winter blahs, the time to do all the things. This I know: I don’t feel like it. I don’t even feel like writing, but here I am. I am taking two writing classes right now and haven’t written anything I like for either one of them. I don’t like the pieces we are using as models, and I like the pieces I’m writing from the models even less. I did just take a look at the next assignment for one of the classes and the instructor began her analysis of the piece by saying “I’m not sure we’ve ever studied a narrative technique revolving around bad-temperedness” and I thought: FINALLY! Something I can get behind.

The only thing I have felt like doing is baking cake, but even cake did not go as planned this weekend. I had a custard disaster, in which I was first reminded of the important lesson “don’t multi-task when the custard is on the burner” (chai flavored scrambled egg) and then that it’s important to know the right amount of gelatin to use (chai flavored egg soup) and then that you don’t try to reheat the watery custard if you’ve already put gelatin in it (I’m not really sure what to call the result: hot chai flavored egg soup with bits of rubber cement?). Fortunately the custard was a non-critical element. I tasted all the other elements individually so I’m fairly sure they will work out together. It’s a dirty chai layer cake, so it’s coffee and chai cake, white chocolate coffee ganache, nameless coffee crunchy bits, and coffee and chai buttercream. That has to be good, or at least edible. Maybe I’ll try it out for breakfast.

I’m not really sure what to do when baking therapy, writing therapy, walking therapy, horse therapy, and even dog therapy aren’t working. The cat has her own ideas which mostly involve attacking my legs as I walk by, so I haven’t tried snuggling her (a dangerous proposition on our best days, which most certainly neither of us is having right now). I don’t feel like gardening, and anyway it’s mostly too early for that here. Debris from last year is still sheltering this year’s beneficial critters, and it’s far too early to plant most new plants. I could be digging holes for trees, but I haven’t bought the trees yet, and in my experience it’s best to wait or you just have a yard full of holes.

The full impact of the past year is still sinking in. I haven’t seen two of my kids since January of last year, and the third who lives only one state away I’ve only seen maybe four times. I am pining for them all. I complain about traveling for work but I also miss it. I don’t care for the big city but I even miss going to New York. I have been saying for years that all of my line of work can be done remotely, and I have been mostly working from home for many years, but it turns out that going to an office never and seeing zero people in person is actually too much of a good thing. I miss live music. I miss having a regular level of anxiety about regular anxiety-producing things.

I spent some time this morning walking around my property being irritated at the trees and their cheerful busyness. If I stand still by the willow or the weeping cherry I can watch the leaves and flowers unfurl, and instead of giving me hope, this annoys me. The sweet gum is suddenly popping leaves all over, and most of the maples – autumn blaze, hedge, sugar – are putting out their early pollen-makers. Good for the bees, not so good for me. Only the crimson king maple and I seem to be on the same page. I know it is healthy and that it will leaf out, and I’m sure it’s getting busy somewhere inside its bark, but for right now on the surface it is doing exactly nothing. This is my kind of tree.

For now, I will keep reminding myself that our frost-free date isn’t for five or six more weeks, and maybe I’ll stay hunkered down until it’s time for my annual mid-May ritual of planting way too many tomatoes. Some of us are productive in April, and some of us are still dormant, and that’s ok.

And Then There Were Two

/ Tessa Pagones / 8 Comments

I have a collection of partially written blog posts that I may or may not get around to finishing. It seems that instead of taking notes these days I sometimes start a blog – maybe with a photo, or a title, or a sentence, or a paragraph, on the theory that I will remember later what I wanted to say. There’s one that only has a title – Layers – which I hope was going to be about more than cake, but maybe cake is enough. There’s one called Cat Dog which has two photos of my first dog when she assigned herself to be the parent of the then brand new kitten, Pigwidgeon, but the only sentence in it is about my mother, who was far more cat than dog. Maybe it was going to be about being a dog child raised by a cat mom, though for the first forty or so years of my life I would have said I was a cat person. There’s one called Eggs, which begins with this paragraph: “I’ve been thinking about eggs. Actually I’ve been eating a lot of eggs, and noticing that every time I crack open an egg, I think of my mother. Not in a symbolic, mother-daughter, mysteries of the feminine kind of way, either. In particular, I think of cracking, and then beating, what felt like thousands of eggs, during the Meringue Years.” A few sentences later, it ends in the middle of a word (“Quite possibl” is where I stopped, having used up my day’s quota of not only words but letters, I guess).

Many of my partial posts started with something from my childhood, and those shards of childhood memory are on my mind a lot lately, as are my parents and my two older sisters. I have very few memories of events of any significance from before I was ten, but I can perfectly describe the dented stock pot we used to make both pasta and fudge (not at the same time). I can tell you about the time when the crabs (aka dinner) escaped under the kitchen stove, though the fact of it is all I remember, and not the method of escape or rescue, if “rescue” is a word that can apply when the rescued end up in a pot of boiling water. I can tell you general facts about each person. For example, my father used olive oil as tanning lotion, and we used to have to keep him out of the kitchen while making spaghetti sauce so he wouldn’t sneak in and add so much hot pepper that no one else would be able to eat it, and he often made oblique requests (“A beer would be nice”), and it was next to impossible to tell when he was joking.

As the youngest of three sisters spanning a seven year age difference, I probably have the vaguest memories of the times we were all together. My oldest sister had the most and the clearest memories, partly by virtue of being the oldest, but mostly because she had perfect recall of all names, dates, events, and relationships, plus every fact she ever read or learned. She would always be the person I would ask for birthdates, who was married to whom, how we were related to someone, or when a particular vacation or trip to the circus took place. I’m always interested in the things family members remember differently, or don’t remember at all. She seemed to remember everything, and I don’t think any of us would ever have questioned her. I have a collection of photo albums in my basement from my aunt and my grandmother, and no one to ask who is in them.

My maternal grandfather died before I was born, and my maternal grandmother when I was in college. My paternal grandfather was not a part of my father’s life, and I was never close to his mother and stepfather, both of whom also died when I was in college or soon after. My uncle died when I was in high school, my mother when I was in my late 30s, and my father and my aunt died within two weeks of each other seven years after that. One day my sisters and I and our three cousins were the kids, and the next day we were the older generation. It’s the normal order of things, but it happened all at once and before any of us had really thought to prepare for that particular fact. I think it’s safe to say the last thing I expected then was that one of us – my oldest sister – would die five years later. I’m still not sure I believe it.

I spoke to my sister – I still want to specify which one, though it’s just the two of us now – yesterday. I used to envy how close my mother and my aunt were as adults. For a lot of years my sisters and I got secondhand information about each other through our parents, which works kind of like social media where you can keep up with someone’s life without actually making an effort to communicate with them. There’s a lot to a sister relationship: the years we lived in the same house, the years we fought, the years we were best friends, the years we didn’t speak, the places our lives connect and the places they don’t at all, the things we know about each other that no one else knows, and the things we will never know about each other. My mother and my aunt got closer after my uncle’s death, and still more after my grandmother’s death. It never really occurred to me that their closeness might in part have been because they were all the family each other had left, the only two people still there to hold on to – or argue about – the memories.

Postcards from Terra Firma

/ Tessa Pagones / 8 Comments

The ash tree is known in some mythological traditions as the world tree, the tree of life, the tree that spans between worlds. I chose our lone ash tree over fifteen years ago without knowing anything about the tree from either an arboricultural or mythological perspective. I liked it for its straight trunk and symmetrical branches. In our first two waves of planting trees here, we chose trees for practical reasons. We chose them for their crown shapes: some spreading, some rounded, some upright. We chose them for their growth rates: near the barn and the horse pastures we wanted fast growers to produce shade, so we planted London planes and tulip poplars. Near the house we wanted less shade, so we chose ironwood, crimson king maple, ornamental plum. Some we just find pretty, like the weeping cherry and the redbuds. We planted the ash for my mother two days after she died, and it has grown untouched by ash borers for over fifteen years, spanning the world where I am, the world where she is, the world where I remember us, and the world where I picture us together.

Birds are a constant presence, their specific populations shifting with the seasons and the birds’ own whims. Birds that are just passing through, birds that come for the summer, birds that stay for the winter. When we first moved here, there were few I recognized: robins, bluebirds, starlings, grackles. Every small brown bird was a sparrow, every red bird a cardinal, every raptor a red tailed hawk. The year my sister died, I took up bird photography. I went through bird crushes, stalking and trying to capture closer and clearer shots of the Coopers hawk pair, the female cardinal, the nest of Dr. Seussian green heron babies. I spent days waiting for birds, thinking about my sister who was dying, and then I spent days waiting for birds, thinking about my sister who was dead. I can differentiate a goldfinch from a pine warbler from a yellow-breasted chat, even if I can’t quite yet parse grief from anger from loss.

Ice storms are a part of winter every year, though between winters I manage to forget about them and am surprised anew each time. They embody the exact intersection of destruction and beauty, dropping tree limbs on fences, downing whole trees across our driveway, cutting off power and rendering driving impossible even if we could find a way out. As I make my careful way around to inspect the damage, I carry a camera to try to capture the magic of the sun sparking rainbows through the ice encasing every twig of the ironwood tree, the icicle stalactites growing downward from the barn eaves, the jewel-bright dogwood berries glowing red through ice teardrops. We mourn the fallen Bradford pear even as we plan what to plant in its place: a tree both sturdier and more flexible to weather the inevitable storms.

Blinking one by one into the dusk, shining brightly in the black of late night, hiding behind cloud cover, stars both visible and invisible fill my nights. Shooting stars, not stars at all, grace my late and early outings with the dogs just often enough to keep me, like the dogs, looking up for the intermittent reward. I have traveled to places where I can see the Milky Way, where the stars are so numerously visible they form a web of light, but here at home they remain individual points even on the clearest night. I can pick out a few constellations: Orion, Cassiopeia, The Big Dipper, the Pleiades. I am less certain of Taurus, but in true Taurus fashion I will confidently point out where it is. I have lived in this spot for more than a third of my life, lucky enough to have my views both day and night unchanged in twenty years. When my father was dying I returned to the city where I grew up, spending nights in his spare room lit by the orange glow of the streetlamps, unable to comprehend how to sleep with no true darkness to delineate night from day, with no stars to remind me: Look up! Look up.

The trees on the front and back edges of our property are trees that were here before us. A stand of tall white pines whose needles have made their own ecosystem at the entrance to the property, a ridgeline of locusts that shed their limbs more readily than their leaves, mulberries on the edge of the back woods, their berries drawing birds and squirrels to their branches and white tailed deer and foxes to the fallen fruit below. The rest of the trees, the trees closer to the house and barn, we planted ourselves, sweating and swearing our way through digging holes in our rocky soil. There is the weeping cherry I can no longer wrap my arms all the way around, shading the living room window. The plane trees that tower over the barn. The oak and maple trees that mark the graves of the four horses who moved here with us – each of those trees a seedling the year we buried each horse, the smallest tree now fifteen feet tall. I am particularly drawn to the trees in winter, their skeletons visible to the world. Bare branches cast shadows on the snow like visible roots that ground us here, or split around the solid line of the trunk shadow like the branching of veins and arteries around an aorta, carrying blood to and from the heart and lungs of this place.

Wineberry plants grow thick along the edge of the back woods, and they spring up anywhere else we let them. Canes bend to the ground to bury and root their tips in their ongoing crawl towards the sunny pastures. A welcome invasive, they feed us when we remember it’s the right time of year to pick them, and otherwise they feed the wild creatures. Wineberries look like raspberries lit from within, their drupelets smaller, brighter and more translucent than even a raspberry from the farmers’ market stands. When my mother stayed with us after her second to last hospital visit, her appetite dulled by cancer and drugs and depression, I tried to create small plates of things she loved to tempt her to eat. A quarter of a bagel, smoothly cream cheesed and covered with a thin layer of lox plated with a small fruit salad: bright red wineberries with blueberries, a few slices of banana, two-toned green kiwi. A small dish of yogurt bejeweled with wineberries. “Too pretty,” my mother declared, “not to eat.”